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『夜鶴庭訓抄』の書論とその意義について
https://doi.org/10.18933/00000030
https://doi.org/10.18933/000000304c9c6808-9a9c-4711-aa32-c073ccb9e74c
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
『夜鶴庭訓抄』の書論とその意義について (1.1 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2016-04-13 | |||||
| タイトル | ||||||
| タイトル | 『夜鶴庭訓抄』の書論とその意義について | |||||
| 言語 | ja | |||||
| タイトル | ||||||
| タイトル | A study about the first treatise on calligraphy in Japan and meaning of Yakakuteikinnshou | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Yakakuteikinsho | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | calligraphy | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Sesonji | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | Japanese-style | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | "Yakakuteikinsho" | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | calligraphy | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Sesonji | |||||
| キーワード | ||||||
| 言語 | en | |||||
| 主題Scheme | Other | |||||
| 主題 | Japanese-style | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.18933/00000030 | |||||
| ID登録タイプ | JaLC | |||||
| その他（別言語等）のタイトル | ||||||
| その他のタイトル | A study about the first treatise on calligraphy in Japan and meaning of Yakakuteikinnshou | |||||
| 言語 | en | |||||
| 著者 |
藤瀬, 礼子
× 藤瀬, 礼子 |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | "Yakakuteikinsho" was written by Fujiwara no Koreyuki and it's the first treatise on calligraphy in Japan. Koreyuki is the sixth in the Sesonji lineage. Fujiwara no Yukinari, the founder of the Sesonji linage, is known as a calligrapher who mastered Japanese-style calligraphy. His progenitors had been in the center of political power and secured their standing through the relationship with the imperial family during the mid-Heian period. Although their political power gradually weakened till the generation of Koreyuki, their post as the calligrapher in the imperial court remained. The calligrapher's duty was important and performed only by males. However, Koreyuki endowed his daughter, Kenreimon- in Ukyo no Daibu ('Ukyo no Daibu' is the name of a post), with "Yakaku Teikinsho". Kenreimon-in's father is Taira no Kiyomori. She is the empress of Emperor Takakura and the mother of Emperor Antoku. Genji had a long history of close relationship with the imperial family. Koreyuki's lineage also kept the relationship with Genji. It is speculated that Koreyuki was more than a little conscious of having his daughter work for a person from Taira family. "Yakaku Teikinsho" was to serve as not only an instruction of calligraphy style but also as a strong reminder of the family lineage as the calligrapher which goes back to Yukinari of the eminent position. It emphasizes that a calligrapher should not simply write calligraphy but also be acquainted with related knowledge. His own opinion about the higher order level of book is expressed with pride. | |||||
| 言語 | en | |||||
| 書誌情報 |
了德寺大学研究紀要 en : The Bulletin of Ryotokuji University 号 2, p. 35-48, 発行日 2008 |
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| 出版者 | ||||||
| 出版者 | 了德寺大学 | |||||
| ISSN | ||||||
| 収録物識別子タイプ | PISSN | |||||
| 収録物識別子 | 1881-9796 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AA12217741 | |||||
| 論文ID（NAID） | ||||||
| 関連タイプ | isIdenticalTo | |||||
| 識別子タイプ | NAID | |||||
| 関連識別子 | 110007055744 | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
